“The self-organization of wave alignment refers to the spontaneous arrangement of waves in a system, often observed in physics and nature. This phenomenon occurs when individual waves synchronize or align their phases, leading to organized patterns. Examples include laser light coherence and synchronized behavior in certain biological systems.”
Birch Wood
24³ in.
Purple
Harmonics made out of particles, traveling in space.
Silkscreen on Linen
50 in. x 28 in. x 3 in. (approx.)
Violet
A three-dimensional chord delimited by a sphere.
Birch Wood
24³ in.
Cadmium Red
Field of Particles
Silkscreen on Linen
(Black and White)
60 x 30 in. approx
Waveforms interacting in harmony.
Aluminum
6.5 x 4.5 x 4.5 ft.
Automobile Paint
“In a strange way, Pythagorean’s fixation with musical ratios was resurrected-kind of-in the twentieth century, with the discovery that planetary orbits do in fact exhibit certain celestial harmonies or, more precisely, orbital resonances. For example: Neptune and Pluto (though the latter is no longer considered a planet) are locked in a 3:2 resonance, meaning that Neptune completes three orbits around the Sun in the same time that Pluto completes two. Resonances also occur among the satellites of planetary systems: Jupiter’s moons Io and Europa are locked in a 2:1 resonance, while Saturn’s Titan and Hyperion have a 4:3 resonance. Add to these our own Moon, whose rotation period is the same as its synodic (new moon to new moon) orbital period around Earth, locking them in a 1:1 synchronous rotation. Aha! 1:1, 3:2, 4:3, and 2:1 are none other than the musical intervals of unison, fifth, fourth, and octave - The Pythagorean perfect consonances. Poor Kepler, who spent half of his professional life in a vain attempt to derive the laws of planetary orbits from those of musical harmony, may have been right after all!” - E. Maor
Frequency modulation.
Silkscreen on Linen
36 in.
Screenprint
23.5 x 19.5 in.
Fabriano Paper
2 inks
“The planets, whether they were pulled in by the sun or cast into space from the prime mass of the sun or 'bred in the primal cosmic broth,’ cannot possibly have been revolving around the sun in harmonic orbits from the beginning. They must have 'found’ these orbits after millions or billions of years. This means, that the harmony of the orbits was a (finally reached) goal. This is what is so extraordinary - that in spite of the billions of possibilities, the goal was reached with such remarkable determination.” - Brerendt.
Triangular waveforms interacting in harmony.
Steel
37.5³ in.
Ultra Flat Matte Black
Standing Waves entanglement.
Wood
24³ in.
Screenprint
Fabriano Paper
Black & White
19.5 x 19.5 in.
Wall:
Overtones (2023)
White
Silkscreen on Linen
78 x 55 in.
Sculpture:
Air Columns (2022)
Birch
24³ in.
Standing Waves entanglement.
Wood
24³ in.
Spectral resonance extrusion accentuating harmonics.
Silkscreen on Linen
40 in. x 28 in. x 3 in.
Yellow
Silkscreen on Wood Panel
36 x 36 in.
Sculpture representation of several frequencies affecting a single recirculation.
ABS
42in. x 32in. x 29 in. (approx.)
Spray paint coat/ Magenta
Sculptural representation of the musical interval “Perfect Fourth.”
ABS Dust
13³ in.
Cadmium Red
Abstraction of energy lines printed on a Matrix by different polyrhythmic structures.
Wood Panel and Gold Leaf
39 in. x 39 in. x 4 in.
This print shows several frequencies interacting with one another in 3D. The similarity with any other natural phenomena is uncanny. These symmetries are also called: Li Symmetries or Self Organizing Systems.
Silkscreen
Edition Variable: Paper
8.5 in. x 11 in.
Turquoise
Harmonic Interactions in three-dimensions
Birch
24³ in.
This print is originally a picture of waves in a small lake in Palms Springs. The moonlight shined over the different wave patterns. All these patterns are turned into ASCII code. The artist interprets coded jello-like cosmos.
Silkscreen on Paper
8.5 in. x 11 in.
White
Snapshot of the chord C Major 7th.
Silkscreen on Wood Panel
36in. x 36 in. x 3 in.
Gold & Black
Studies on Phase with waves defined by totemic structural anatomy. This sculpture shows when two signals are added together by a physical process, such as two periodic sound waves emitted by two sources and recorded together
Sandstone
10 x 3 x 3 in.
Waveforms interacting in harmony.
Aluminum
6.5 x 4.5 x 4.5 ft.
Automobile Paint
“If our eyes were more perfect, we would see atoms sing. A race of beings who had this sort of direct experience would no doubt include a high proportion of poets and atomic scientists.” - Frank Wilczek.
This cymatic three-dimensional structure is made with ultra-fast laser heads inside an optically perfect crystal. To achieve this imagery, approximately 5 million points were needed with spacing around .65mm apart giving crispness to the three-dimensional waveforms.
Glass
6³ in. (approx.)
Sculpture representation of several frequencies affecting a single recirculation.
ABS Dust
15³ in. (approx.)
Ivory Black Acrylic Coating
Sculpture representation of several frequencies interacting in harmony.
ABS Dust
Variable: 20³ in. (approx.)
Nylon
Acrylic Gold Iridescent
Ivory Black Acrylic Coating
This print was made with a sound source and several matrices. We see how sound intersects in different parts, the geometric Matrix... bringing the pixels to light.
Silkscreen
Edition Variable: Paper
8.5 in. x 11 in.
Red
Sculpture representation of a Lateral Harmonic Fifth.
ABS Dust
13³ in. (approx.)
Blue Acrylic Coating
I am particularly interested in births, sprouts, pops, explosions, Big Bang, phenomena that are associated with outward release of energy. This phenomenon is the core of our existence. Even ideas germinate with this type of behavior as well as Supernovae, which occurs after the end of life of some types of stars.
With these types of explosions, nature is able to generate waves and transmit enormous amounts of energy that later evolves into the fragmentation of structures.
With this small sculpture, fragmentation of glass is possible through triangular waveforms exploding outwards and creating bits of structural components via laser.
Glass
6³ in. (approx.)
Sculpture representation of several frequencies affecting a single recirculation.
ABS Dust
13³ in. (approx.)
Metallic Cerise
Sinusoid waves interacting in harmony.
Nylon
15³ in. (approx.)
Ivory Black Acrylic
Sculpture representation of a Lateral Harmonic Fifth.
ABS Dust
13³ in. (approx.)
Fluorescent Green Acrylic Coating
Triangular Waveforms in simple harmonic motion.
Acrylic and Silkscreen
30 in. x 30 in. x 3 in.
Wooden Gesso Board
White, Black, and Yellow Neon.
Sculptural representation of the Musical interval “Perfect Fourth.”
ABS Dust
13³ in. (approx.)
Platinum
Sculptural representation of the Musical interval “Perfect Fifth.”
Nylon
13³ in. (approx.)
Rustic Neon Yellow
Gmin 13th is a piece inspired by the composer Alexander Scriabin and his color and sound relationship “clavier à lumières” or “tastiera per luce,” where he describes the G tonic would be around the orange side of the spectrum.
Acrylic on Wood
38.5 in. x 38.5 in. x 5 in.
Orange Neon Acrylic
Lasered frequencies into a crystalline solid cube.
Glass
6³ in.
Modulation of several sines interacting in harmony.
ABS Dust
13³ in. (approx.)
Ivory Black Acrylic
Sculpture representation of several frequencies affecting a single recirculation.
ABS Dust
15³ in. (approx.)
Violet Coating
High-Voltage passed through a ball bearing and captured with long exposure. The color hue is created by the electrons colliding with the nitrogen in our atmosphere.
Photography